Twitter’s at it again and I’m so damn tired

I don’t even know what to say about this shit any more. I’m just tired.

This happened last night:

Screenshot 2018-08-14 at 22.03.23
Screenshot 2018-08-14 at 22.03.30

So I sent them this:

Screenshot 2018-08-14 at 22.19.12

And the same old, same old happened. Within an hour, I was back in. What happened was, I automatically went to type in a tweet out of habit and hit send. Then I said to myself, “Oh, I forgot; I’m blocked. Again.” But the tweet posted. So that’s how I knew my account had been un-suspended, after I used those two words again. I didn’t get an email in response, or an explanation, or a reason why my account had been blocked supposedly for twelve hours. They just lifted the ban without telling me and quietly cleared me for posting again.

I suspect, though, that it was down to me showing support for someone else who’d got a twelve hour ban. I asked Twitter, quite openly, why they were locking down people’s accounts without giving a reason but letting Donald Trump carry on doing his thing, even calling a black woman a dog. God forbid anyone criticise the Mango Mussolini.

As more than one friend has said, it’s beginning to look like because I’ve been in trouble before, justified or not, as soon as someone maliciously reports me, or my tweets are flagged for whatever reason, the ban-hammer comes down. It’s not because of anything in particular I say, just the fact I’m openly critical of them.

Upshot is, Twitter isn’t exactly unsafe, but it’s unstable, so I’m encouraging people to keep in touch with me through this blog, or my newsletter instead. And to keep an eye out for any other, more suitable, social media sites, because Twitter isn’t just going down the pan; it’s been flushed and is gurgling over the U-bend.

Advertisements
Posted in Twitter | Leave a comment

Fail to plan, plan to fail

I’ve recently discovered the joys of calendar blocking, which is amazing as I’ve had my Chromebook for something like four years, and a smartphone for around two, so it’s taken me this long to start using Google Calendar.

This video, from Amy Landino, inspired me:

You’d be much better off watching her video than putting up with me attempting to explain it all, even with scrappy screenshots from my Google Calendar – besides which, there, I name current and upcoming writing projects and also private matters (medical appointments and suchlike) that are, frankly, no-one else’s business.

So! I’ve been using a Leuchtturm1917 dot-grid notebook as a Bullet Journal since last September and am only now just getting to the end of it. When I first bought it, I thought it would last me three or four months at the most, but I still have some pages left nearly a year later, because I use it primarily as a daily to-do list rather than anything more detailed. Many people have elaborate sketches they laughingly refer to as mere ‘doodles’ in their BuJo, or to-read lists, or extremely detailed notes for this project or that. Me? Hell, on days when I’m ill with a migraine, I don’t even use it at all.

Anyhoo, as I neared the end of the book I began to wonder if I should splash out on a new Leuchtturm, use another style of notebook, or find another method of organising my appointments and scheduling my work.

Quite by chance, I came across the above video on YouTube and that inspired me to ‘go digital’ with my organisation. It would be a concern if I ever lost internet access as everything’s stored in the cloud, but as my smartphone has 4G I could get by with that for as long as I needed to. Typing on a phone is a lot more fiddly than a Chromebook, but at least I’d have access to my digital planner, still.

And that’s the beauty of calendar blocking – my entire Bullet Journal or planner now fits in my handbag in the form of my phone, or whichever device I happen to be using. Google Calendar synchs across them all.

Now, I’ve not been that great at sticking to to-do lists lately, but in the hopes that the freshness of using a planner in another format will give me some momentum, I’ve blocked out huge chunks of the coming week. But not just for writing. I have everything (that I can currently think of) scheduled for the next seven days. Sleep, chores, washing my hair, a doctor’s appointment, other real life matters. Yes, colour coded, naturally.

It may well be that I rebel against a to-do list that’s that structured. It may well be that I need such a high level of structure in my time, to make me do stuff. It may very well go tits up before we’re halfway through the week, but I’ll keep you guys posted.

At the very least I’ve passed a very pleasant hour colouring in a page of Google Calendar, which is very therapeutic after such a monumentally depressive episode of mental (un)health recently, which even yet I’m struggling to pull myself out of.

(Honestly, I’ll try not to beat myself up if/when I don’t meet my targets, and to give myself credit for any productive work I do manage.)

Posted in calendar blocking | 2 Comments

Just call me Lazarus Boomerang

So, they let me back in and when you find out why, you’ll shit.

Unsurprisingly, my (first) appeal to Twitter was rejected. So I lost my shit and sent them this:

Screenshot 2018-08-09 at 17.01.17

I had occasion to go out, so hit ‘send’, got my coat on, went out. At the other end of my journey I checked my emails on my phone and…

Twitter had reactivated my account. After I had sent them a riff on the fourteen words and ended my message with “Sieg Heil!”

Think about that for a moment.

In under an hour, Twitter reactivated the account of someone who ended their appeal message with the fourteen words and “Hail, victory!”.

Are you getting it yet?

Which means we went from this:

Screenshot 2018-08-10 at 01.42.36

to this:

Screenshot 2018-08-10 at 01.42.50

because of a message referencing the fourteen words and Sieg Heil.

Remind me again how Twitter isn’t run by white supremacists?

Posted in Twitter | 11 Comments

Fuck Twitter and its “very fine people”

Unsurprisingly, it’s happened again. I’m sick to death of this nonsense from Twitter. Aside from anything else, it fucks up the front- and back-matter from every single one of my books because now I’ve got to go and delete details of my Twitter account, which is no more.

(Yes, I’ve appealed the decision but guess how much hope I’m holding out that it’ll be successful?)

Here’s a couple of screenshots; feel free to lift them and spread them far and wide. Yes, Twitter is a private company, yes it can do as it pleases. I’m cool with that. My objection is to the difference in the way women are treated on Twitter, and the way white supremacists are treated. Rape threats, good. A female saying the word ‘cunt’, bad.

This is how it goes.

Screenshot 2018-08-07 at 10.35.10

Screenshot 2018-08-07 at 10.48.10

And of course, people are more than welcome to sign up to my newsletter here, or subscribe to this hyuh blog.

We’ll see what being shunned by the “very fine people” over at Twitter does for my writing productivity, eh?

 

Posted in Twitter | 4 Comments

The addition of Plus One

Hurr hurr, see whut ah did thur?

On Thursday 28th June, I added Plus One to my Amazon KDP account, and that evening received an email from Amazon asking me to confirm my rights to publish that novel. They’d asked me to confirm my legal ownership of manuscripts before, but previous to this, it had just been a matter of pressing the ‘publish’ button again as a declaration that yes, I have the legal right to publish this book. However, this time around, they were asking me to email them actual documented proof, saying if I didn’t reply within four days, they’d block publication of Plus One and possibly even shut down my KDP account altogether. So, naturally, I sent in a copy of the letter from Plus One‘s previous publisher, Totally Bound, in which they surrender all rights to the book in all formats, on all vendors.

And…nothing. Amazon didn’t reply to my email, and the book stayed classified as ‘in review’ on my KDP dashboard until Sunday evening, (ten days later!) when they decided to tell me that as I had failed to reply to their initial email, Plus One was now blocked, and would not be published on their site.

What the actual fuck, Amazon?

I replied to their email, sent a separate one, complained through their customer service webpage and finally, went through their ‘if your question is not answered here, please fill in this form’ webpage too. So that’s four avenues.

Overnight, they cleared the book for publication but didn’t reply to either of my emails or either of the complaints I made through their website. As a friend said yesterday, “If you’re waiting for Amazon to apologise, you’ll be waiting a long time.”

It was their mistake, and they’ve put it right, but without an apology for the inconvenience of losing ten days’ sales on a book. Not that I would have sold many copies anyway knowing my luck, but thanks to Amazon’s cock-up I’ve lost the chance to find out.

I hope that explains why there was a ten-day discrepancy between Plus One being available on other vendors before Amazon decided to get its arse in gear. Whinge over. Here are the book’s details.

Plus OneSomething doesn’t add up

Lydia’s looking for a job not a lover, but after her interview at Saint Joseph’s University, she ends up with both. There’s a need for discretion despite her bright pink hair and Doctor Spencer Flynn’s candy apple red Mustang—after all, she’s an admin assistant now, he’s a lecturer in applied mathematics and they work together. So they conduct their liaisons behind closed doors, which is all right with Lydia—she’s never experienced chemistry like it.

‘Discreet’ soon begins to look a lot like ‘secretive’ and a last-minute cancellation of a date prompts Lydia to rethink her role in the relationship. Braced for a break-up, she’s amazed when Spencer confesses the secret he’s been keeping all along. His loyalties are divided and when Lydia’s attempts to hold on to his attention backfire publicly, she wonders if playing house with a mathematician is a zero-sum game…

Amazon Kindle US | Amazon Kindle UK

There’s also a Universal Book Link which shows all available vendors for the benefit of readers with other eBook apps and devices. I believe clicking on each vendor link takes you to the one applicable to your location, without the need for separate links for the US, UK and other countries.

What other news? Well, I’m picking away at Drink Me, book #2 in the Connections series, and I’ve written out a writing schedule covering July and August, complete with target publication dates for various projects. Ambitious as hell, but even if I don’t quite meet my goals, I’ll still end up being more productive than I would if I sat back and said, “Meh, I’ll write when I feel like it.”

As always, folks are welcome to sign up to my newsletter here, and I’ll endeavour to come up with fascinating shiz to mail out. Now if you’ll excuse me, there’s a cup of tea that wants drinking.

Posted in Amazon KDP, Plus One | Leave a comment

Open wide

…with distribution of my books, I mean.

Earlier this week I decided it was time I should get around to using my Draft 2 Digital account, which I’d opened weeks back and never done anything with. It’s an absolute piece of piss to use; I don’t know why I haven’t done it sooner. You upload a word.doc (or anything similar which D2D can work with), cover art, choose your formatting, and BOOM, done. Well, apart from choosing your price and which vendors you want D2D to upload to. I’ve uploaded all ten of my self-published books now, and once I’d got used to the process, it took me about ten minutes, max, to deal with each manuscript.

Ten self-published books? Surely I’ve only got nine? Nope; yesterday I got back the rights to Plus One, my M/F contemporary age difference novel, previously published with Carnal Passions, then Totally Bound. Amazon’s being a supermassive arse hole about it, thinking I’m trying to steal my own book, but D2D presented no problems at all, so Plus One will start appearing on third party vendors like Kobo and B&N Nook soon.

All of my books have previously just been available on Amazon, so when uploading to D2D I unchecked that box, to avoid double-listing my books there. As I’m in the habit of formatting for Amazon myself, I followed that course with Plus One; format as a mobi ebook and upload it myself with the more detailed keywords Amazon allows, then deal with all other vendors through D2D.

Specifically because Amazon allows for quite detailed phrasing in keywords, it’s better that I take advantage of its wider reach by dealing with that site directly, than filtering my book’s metadata through D2D. Keywords and sales algorithms are so closely intertwined on Amazon that you want to really work hard to get the perfect search terms. Other vendors tend to be boutique (they rely on you to sell your books, rather than algorithms) so keywords, while still important, are slightly less so, when selling through Kobo, B&N Nook, etc. I can afford to distribute to all other vendors by uploading to D2D and choosing one set of keywords to cover them all. Amazon, on the other hand – a much bigger beast, requires greater care, attention and specificity.

All of which probably means very little to non-writers out there.

Anyway, whenever I’ve had the “Are you sure this book is yours? Really?” email from Amazon, it’s just been a matter of hitting ‘publish’ again, and waiting. This time, however, they asked for written proof that I had the rights to publish the manuscript so I’ve had to email in Totally Bound’s rights reversion letter, and I’m still twiddling my thumbs. It’s cleared on D2D but with Amazon insisting on double-checking that my book is mine, there’s been a delay with the Kindle eBook format. I sent in proof the manuscript to Plus One is mine to publish as I please over 24 hours ago and still nothing.

By comparison, when I uploaded Family Jewels to D2D, I cocked up and accidentally put it in the erotica category (it’s a contemporary romantic comedy with BDSM-lite elements) and got the book dungeoned on certain vendors, so I emailed to ask for the mistake to be corrected and it was sorted within an hour or two. On a Friday evening. Such a difference in customer service.

All of the above means I’m now free to continue writing my new stuff. I say free, I mean ‘have run out of excuses not to’ so I guess I’d better get back to work!

Keep an eye on the ‘Books by Scarlett Parrish’ pages above, and various buy links will appear on each book’s page as I add them. Plus One will get its own page too, but because I can’t resist showing off the cover art, here it is:

Plus One

Bloody gorgeous, innit? Courtesy of A. M. Hartnett.

Lastly but not leastly, for more cover art reveals, publication news and other shite, feel free to sign up to my newsletter here.

And see you all next time. 🙂

Posted in Draft 2 Digital, Plus One, self-publishing | Leave a comment

So, this happened

This appeared in my inbox yesterday evening:
Screenshot 2018-05-23 at 17.22.59
As if by magic, I’m back on Twitter. Do I believe they suspended my account “in error”? Hell to the fuck no. My suspicion is, that so many people retweeted the screenshot in my previous blog post, even sending it to the V.P. of Twitter, I believe (who claims to read all her own notifications) that the higher-ups at Twitter.com reasoned, “We’ll open up her account again because damn, we’re copping some shit for this. We done fucked up.”

Because it’s funny – when I appealed the decision, I got an email back saying “Your account has been suspended, will remain suspended, you’re a dirty, dirty Tweeter, we’re not going to tell you exactly how you broke the rules, suck it, you lose, fuck off.” Or words to that effect.

Then the V.P. gets involved, hunners of retweets on my screenshot and amazingly, suddenly, they realise they made a mistake. Because bad publicity and no-one wants to be thought of as a bunch of white-supremacist-defending fucknuts, do they? Even if they are fucknuts who defend white supremacists on the regular.

So, because they apologised and backed down, it would appear I’m back on the Twitters. But I shall also be making a conscious effort in the coming days not to spunk away quite so much free time on the site because a) the stress is bad for me and b) I have books to write.

It doesn’t half piss me off that the “little people” get ignored and suspended at will. They only back down when they realise those self-same “little people” have contacts with followers numbering in the tens of thousands and the power to make Twitter look bad.

Anyway, I’ve got a few things to do this evening so I’ll sign off now and be back soon.

Posted in Twitter | Leave a comment

Suspended again

So, inevitably given Twitter’s fucked-up algorithm, I’ve been blocked again, for a week, which takes me up to this Saturday evening. “What is it this time, Scarlett?” I hear you ask. Well, the thing is…I don’t know. I got home the other night, tried to sign in, and got the block screen. There was no tweet that was singled out as offensive, no notification that such-and-such a kind of behaviour was unacceptable. Just “You’re blocked for a week for breaking the rules.” And they didn’t even tell me which rule I’d broken.

Following is a message I typed out, and sent to my friends, asking them to publicise it. Feel free to lift this and post it on Twitter yourself.
Message from Scarlett Parrish
It’s tiring when this keeps happening, especially when you see literal, self-confessed Nazis get away with making rape and death threats, using the N-word and anti-Semitic slurs, and dogpiling those they dislike – women, POC, Muslims, Jews, you name it.

The only logical conclusion I can come to is that Jack and other Twitter staff members are themselves white supremacists and Trump supporters. Otherwise, why would they suspend the accounts of people who defend themselves against such people, instead of the ones making the threats in the first place?

I’ve said I’m not going back to Twitter before and I always have, so we’ll see how I feel this weekend, but…*sigh*…it’s not looking good, is it? I’ve emailed in to ask for an explanation and used another account to contact Twitter members of staff, but honestly, deep down? I don’t expect them to do anything about it, because as I said before – Jack et al are white supremacists.

And why would I want to be a member of a site run by white supremacists? It’ll affect my ability to promote my books on social media but as I’m barely selling a handful of copies each month anyway (see my previous blog post Between the Lines) it shouldn’t make much of a difference.

As for my fiction writing – well, I’ve released several books in recent months, and the details are on each book’s individual page, complete with buy links:

As for what I’m working on right now – Book #2 in the Connections series, which is Wallis’s story, Wallis being Sarah’s flatmate and Lucas’s sister, from Book #1.

For updates, cover art reveals and buy links when the book is released, you can sign up to my newsletter here.

For those who prefer to read their eBooks on non-Amazon-related devices, the good news is I’ve opened up a Draft2Digital account, which is the first step towards going wide with distribution. I’ll keep you updated when that happens.

I’d like to say I’ll be blogging more often in future (and hopefully not rethinking and deleting various blog posts) but I don’t want to put too much pressure on myself. As it is, these days, fewer people blog, and it’s kind of dying off in popularity, or so I’ve been told. Nevertheless, even if no-one reads what I post here, it’ll be my way of having my say, and a place to group together all things Scarlett.

So until next time, toodle-pip.

Posted in current project, new release, Twitter | Leave a comment

Between the Lines

I’ve thought long and hard about this blog post, whether I should or shouldn’t write it. It’s one of those posts that you should only write when you’re past the point of caring, and that’s pretty much where I am with my writing career right now.

You may note a lot has gone missing from my blog again. All previous posts except for The Story because…well, it’s the truth. It happened. To delete it would feel like I was backing down, and I stand by my accusations. Plenty of people have asked who “Erika” is, and I’ve told them behind the scenes.

My non-self-published buy links above, they’re all gone, too. I can’t do anything about completely deleting my books with a publishing house until they’re out of contract, and that’s a decision I don’t have to make yet. They still exist, I’ve just removed them from my ‘books by’ list. Why not delete my self-published books from existence, as I have control of them? Hmm. A huge step, and I’m still swithering, to use a Scottishism.

did have shit written under another pen name (pure erotica, not romance) which I have deleted in its entirety from the internet. That other pen name’s stories are all gone, its newsletter has been deleted, even their email account has been deleted. Kaput. My other self has committed internet suicide.

Why this need to minimise my online presence? The same old, same old, which I’ve been fighting against mentally for years now. Every so often I’ll give myself a good talking-to, determine that I’m going to get back in the game, get fired up, write write write, and…and I fail miserably.

What’s my definition of failure? What do I want out of writing? Well, ideally, I’d like to be able to be self-supporting through writing and before anyone says, “Now, Scarlett, don’t you think you’re being a bit entitled?” bear in mind, I live in a relatively inexpensive city, and due to the fact I am childfree with no debt, car finance, mortgage, loans or credit cards, I could live quite comfortably on approximately £200 per week.

Yes, I am prepared to talk money in this blog post. Approximations of what I’d like to earn, and the exact figures of what I actually do.

Given how long it takes to write, edit and format a novel, I don’t think around £200 a week is too much to ask. The minimum wage in this country is £7:20 per hour, so that weekly payout would equate to just under twenty-eight hours’ work. Am I willing to put in twenty-eight hours of work every single week, no holidays, to support myself? Yep. Does the payoff in erotic romance epublishing justify that? Nope.

(And if anyone out there fancies knocking me for “entitlement”, don’t bother. I don’t think wanting to work to keep a roof over my head and food on the table is “entitlement”; I think it’s desiring a fair exchange of sustenance for my labour.)

Let’s look at it the other way around. Instead of saying, “If I put in X amount of hours a week, I don’t think X number of pounds in return is unreasonable,” let’s ask, “How much money have you earned for the number of words written and hours spent doing so, Scarlett?”

Well, I was first published in May 2010 and I’m not going back seven and a half years and across four different publishers. I simply do not have the inclination to go raking through that many royalties statements and converting each one into the same currency. So for convenience’s sake, we’ll look at the figures for my self-published books, which are all available in one place:

Screenshot 2017-11-28 at 18.50.56

Last night I converted each figure in the ‘Total Royalty’ column into both US dollars and GB pounds to give totals in each currency, which means since November 2014, I have earned, from books totalling around 350,000 words…

$640.65, or in pounds, £480:68.

In three years.

If we take a standard typing speed of 1k words per hour, not counting editing and formatting as well, we’re talking just shy of five hundred pounds, across three years, for 350 hours’ work. (Twelve and a half weeks’ worth, if we go back to that standard working week of twenty-eight hours. Imagine working for twelve and a half weeks and having to wait three years before you’re paid, and even then only receiving £480 or $640.)

Okay, I’m maybe stretching my hypothetical working week example there, but you can imagine how disheartening that is. Especially when you take into consideration the fact that I’ve spent more than that on computers, tech, software, pens and paper. I’m effectively in the red when it comes to writing fiction. Instead of being paid for my work, I’m paying out.

Now, if it’s a hobby, something folk do for fun, that’s fair enough, but it was always my intention that writing should pay its own way, otherwise, I’d be out of pocket and would be as well finding something more useful to do with my time. I’ve got bills to pay, after all, and I have on numerous occasions, taken jobs outside the home to get those bills paid. Every hour I spend writing for free, is basically an hour’s wage lost.

But, to actually see those figures written down, in my own handwriting, actually had me questioning what I’m doing with my life and whether or not I should even be writing at all.

The other night, a friend of mine who is a superbly talented writer informed me she had just deleted all of her books from Amazon Kindle. Why? Pretty much the same reasons I’ve discussed above. Discouragement. No return on investment.

Also a growing sense that Kindle Unlimited (the monthly subscription reading service) was fucking over authors.

And I can’t say I disagree with her.

So why are my self-published books in that scheme? I wanted to see how they’d do, whether my money would come from sales or page reads. Today, though, I terminated the automatic renewal for my books, so starting next month, my books will start to drop out of Kindle Unlimited and only be available for sale, not borrowing. (That’s if I don’t decide to delete them completely.)

When Kindle Unlimited first started out, there was a flat ‘fee’ Amazon paid authors, each time one of their books was borrowed. It varied, but usually hovered around the dollar forty mark. Each time a Kindle Unlimited subscriber borrowed one of your books, you’d get around a dollar and forty cents. Approximately 85p in ‘real’ money. 😉

The trouble was, people got wise to the fact that you were paid the same flat rate whether your book was a novel, a novella, a short story, or barely a few pages long. People started to  release serialised fiction, novels chopped up into individual chapters. Why get a buck forty for a novel borrowed as a whole, when you could release each section as a separate book and get a dollar forty for each chapter as it was borrowed, right?

That’s why, a few years ago, Amazon Kindle was flooded with serialised fiction, each chapter cutting off abruptly. That’s because they were novels, literally hacked to pieces by their authors, and published chapter by chapter, instead of all in the one volume.

Amazon eventually got wise to this and said it wasn’t fair that short story writers were paid the same as novelists. They wanted to discourage people from publishing sliced-up novels and calling them serials or series.

I find it difficult to argue with this reasoning.

Trouble is, the way Amazon dealt with it screwed us all over. Instead of being paid by the borrow, authors would now be paid per page read. Approximately half a cent per page.

A 300-page novel would now earn an author a dollar and a half – but only if the whole book was read. And if you wrote a short story of, say, 50 pages, you’d only earn 25c.

Yep, you read that right. Twenty-five cents.

Kindle books started going the other way. Instead of slicing up novels like they were rationed pieces of cake, authors (and groups of authors) started page-stuffing. They’d display the blurb for their book, and advertise it as being “now with some added material” – other stories they’d written which may previously have been released on their own. Some ebooks now are well over 1,000 pages long.

“But how can that be gaming the system, Scarlett?” you may well ask. Little tricks, like putting the table of contents at the back of the book so that when a reader clicks on the ToC link, they’re taken to the end of the book and their Kindle registers as having just read well over a thousand pages, instantly. Boom. The author gets paid for a thousand pages read, even though you haven’t read a thing. Like flipping to the last page of a book in Waterstones to ensure the author gets paid the cover price, even if you haven’t even looked inside the book yet.

What else? Well, I used to be a member of a writers’ forum which I soon discovered was basically an internet circle jerk. Writers would post to say they had just released a book, could everyone go download it, flip to the end, then return the book, to bump up their apparent pages read, thank you and goodnight.

Writers would group together for anthologies, churning out what was effectively porn, even their own old stories with some names changed, or genders flipped, just to get those page reads. Several members got their KDP accounts suspended for not playing by Amazon’s rules.

Let me tell you this – many authors out there? They’re not authors. They’re groups of authors, who take it in turns to write quick short stories, page-stuffing with recycled, old manuscripts with the ToC at the back, and extracts from their own individual books to pad the page count.

If I protested, dared to say that it didn’t seem like anyone was bothered about improving their writing any more, a popular saying was “Look to your own paper.” In short, learn to game the system, mind your own business, or shut up.

So I left the website, disillusioned.

Let people do what they want to do, right? In theory, you’d say that, but Amazon got wise to what was happening and started restricting what authors could publish, the keywords they could use, even how much they were paid.

Yes, really. They started to suspect there were a lot of scams going on in the self-publishing world, so to “punish” authors, almost, Amazon started dropping the rate of pay per page-read. Blocked more folk from publishing on their site at all. Some were blocked justifiably, but many authors I’ve spoken to have been dinged by Amazon simply by mistake. Genuine authors who are only trying to make a living have fallen through the net. To mix my metaphors, sometimes Amazon throws the baby out with the bathwater. They’re so keen to get rid of the scam artists that genuine authors with good intentions get punished for the sins of the scammers.

Of course, that’s not the sole reason I’m disillusioned with publishing, lately. It doesn’t help, but it’s not the only reason. There are writers out there who make a living, and deservedly so, but the more writers who self-publish, the harder it is to promo, to gain any traction, because it seems like it’s becoming more and more difficult to be heard. Rightly or wrongly, people often judge erotic romance as being formulaic and when there are people (mentioned above) trying to game the system, it’s difficult to know what one has to do to stand out. Writing a book that’s as good as you can make it? But of course. You also, however, have to get it noticed.

Maybe my books are just shite, huh? 😉 I hope not. I think my writing’s good. Well, I would say that, wouldn’t I? But when it comes to promo, honestly? I feel like I’m banging my head against a brick wall. In the past I’ve tried blog tours, social media, interviews, asking for reviews, and I get nowhere.

There are authors I’ve spoken to privately, who have said they’re in much the same situation financially, and while I won’t name names to protect their privacy, it’s actually shocking to me, how many talented, fresh, original authors feel like they’re at the point of jacking it all in. I was nervous of posting the screenshot above, but probably not as nervous as one writer was when she confessed to me that in the same time period, she’d made approximately one third of my earnings.

No-one is owed a set amount of money, of course not. I’m not saying that at all. What I am saying is, that it might not be cost-effective to spend weeks, even months, writing a novel, and to receive only a few dollars for that novel. If you look upon it as a hobby, a way of expressing oneself creatively, that’s great. But if your time could be better spent elsewhere if your main concern is making a living, then…for me, anyway, erotic romance just isn’t worth it. Would you spend hours each week working in an office if you knew your boss could turn around and say, “I only feel like giving you ten quid this month,” ?

When I started out writing (seriously, I mean, really knuckling down with the aim of getting published) I had both hope, and a sense of fun. These days, I’ve seen behind the curtain, the mechanics of how it works and…well, I’m wondering if it’s really for me.

And you never know. It might actually be a relief to find something else to do with my time. Because sometimes you can work really, really hard towards a goal, and realise you were playing the wrong game all along.

Posted in erotic romance, self-publishing, writing | 5 Comments

The Story

Hello.

Yes, I’ve decided to resurrect this blog. Why now? Well…I’m beginning to get the itch again. Don’t worry, it’s not scabies. I mean the itch to write. And I figured splurging my brainthinks onto WordPress would be a good way of flexing my typing muscles, trying to get back in the habit of writing regularly.

Jenny Trout posted a thing on her blog that resonated with me. Well, five things, actually. Blog posts she has since deleted, for her own reasons, explanation here. I know who she’s referring to, and I’ve known for months, possibly longer than a year, because we discussed the matter privately way back when, at a point we discovered we’d both had similar experiences. In fact it’s scary how many writers have their own personal “Erika”, which has become a pseudonym for, well…”someone who screws you over”.

Bronwyn Green, the friend Jen was defending, blogged about things too [edited to add: but I’ve deleted the link because apparently now it’s broken/deleted].

Today I exchanged a couple of messages with Bronwyn and she very kindly said if I ever needed to vent, she was there for me, and it made me feel quite squidgy and warm inside, like my heart had wet itself. It just goes to show that not everyone out there is a festering shitweasel. But when you cross paths with someone who is, it damages your ability to trust, or to build up friendships. I hesitate to use the word ‘damage’ as it’s very strong, but strong feelings are involved here.

The truth is, I don’t have Jen’s stones. Admittedly, she deleted her posts in the end, but she named the person who screwed her and her friends over. My concern has always been, “Ah, who’s going to believe me anyway?” By calling out a far-more-well-known author, there’s a chance of looking jealous. By saying “Actually, this, this and this happened,” after they worked so hard to cultivate a nice, pleasant, gee-golly-humblebrag reputation online, you look…well, damn, you look bitter.

That golly-gee-whizz act is an act though, and about the only thing she’s ever worked hard for or to protect, but anyway…

When I first started out it wasn’t a choice between success or failure; it was all just fun. And I had a friend, an “Erika”, who was at the same stage. Writing for years, never got anywhere, thinking it was about time we both knuckled down and made it happen, now or never, you know the score.

I did NaNoWriMo in…let’s see, 2008. I remember because it was the same year I’d finished an old job I had, and I had a lot more time on my hands. A lot less money in my pocket too, but hey, maybe writing would fix that? (Wrong. But I didn’t know it then.) I was accompanied on my journey by Erika, to whom I would speak near-constantly on MSN. Yes, MSN was still a thing back then. We’d encourage each other, share our work, have word sprints and the like. And we both fell into the same genre of erotic romance. I’ll be honest. I knew very little about the genre when I started writing it. In those days I didn’t outline. Hell, I barely knew what I was doing. I wrote 50k words that November, 25k in December, nothing in January, 10k in February and in March, I wondered if the manuscript would ever fucking end. Halfway through April I finished it and the first draft clocked in at approximately 150k words. No, not kidding. By this point, Erika had finished a couple of books and I’d fiddled with the synopses for them, suggested titles and the like. Bear in mind I’m not claiming to have told her what to write in the sense of “No, no, this is wrong. Write it like this.” It was more like, “You could do this,” or “I think you could solve that plot knot by doing X, Y or Z.” It was friends chatting and discussing what they’re working on. And talking about Erika’s books gave me a break from my own, which went on and on…and on…and on…

So, in April 2009 I was pig sick of my manuscript and was glad to have finished it. The rest of that year I spent…”helping” doesn’t seem the correct word. Hell, now I want to call it “carrying”. We’ll say…”contributing”. I’d write my own stuff here and there, but I was having fun flexing my synopsis-writing muscles doing that for someone else. When met with effusive thanks and praise, I admit, I fell for it. “Wow, I never would have thought of putting it that way!” or “I don’t know what I’d do without you,” sounds cheesy as fuck now, but back then, it was still what I thought was a genuine friendship.

Trouble is, if you keep giving someone a leg up, you end up getting trampled on.

Nevertheless, I wrote several synopses for another person who, at the time, expressed gratitude for them in our private conversations and, if nothing else, this enabled me to hone my skills in writing synopses and blurbs for my own books when the time came. I can point to several titles still for sale now to which I contributed, whether it be with titles, character names, scene suggestions, synopses, you name it. Christ, even pen names!

But, that’s the kind of thing you do for a mate, right?

Except…it began to get a tad…one-sided.

Erika sold books (or she sold books I’d helped her sell, whichever way you want to look at it) and her career was doing a lot better than mine. I had a first draft sitting on my hard drive, then two, wasn’t editing and submitting anything, and wasn’t sure what to do next. So I began to think about tidying up the book that became my first published novel. Erika was, by this time, published with a few relatively minor presses, and had further books contracted and scheduled to be published very soon. She suggested I sub to one of her publishers, so I did, and the novel was accepted. Cue serious excitement from me, congratulations from her, and all was well.

Except…

Erika was subbing to bigger and bigger epubs, getting recognition, suggestions to re-submit later, but couldn’t quite get a bite. There was one book she’d worked on that she liked, but there was something not quite right with it. So I had a suggestion, asked if she minded if I did something with the first chapter. She said no, go ahead, I asked her to give me an hour or two and I’d get back to her.

I remember printing it out and slicing it up with a pair of scissors. The timeline was…well, wrong. Instead of having a linear progression of events, it was better (I thought, and so did the publisher as it happens) to go BOOM! BIG EVENT! — backtrack, lead up to the boom — carry on from there.

I jigged about the word.doc on my laptop, smoothed over the edges, rewrote the joins, and sent it back to Erika. She loved it, said it worked much better this way, don’t know what I’d do without you, sub the manuscript, sold it, job done. (With a Scarlett Parrish synopsis, just so you know.)

Now this was with a pretty damn big epublisher, so I thought, if I can sell a book to a big epub for someone else, maybe I can for myself, too? So I knuckled down, started writing new stuff of my own. Got nowhere. For some reason, I just couldn’t make that break with my own books, but found it piss easy to sell books for other people. (Erika wasn’t the only one I wrote synopses for; another writer used a synopsis I wrote for her to snag an agent.) Maybe my fiction writing was just shite?

Then I got a R&R from Loose Id for what was then called The Devil You Know, but eventually became By the Book (now self-published here). The evening I got the email I’d been out, had a bad day, half-read the email, took it as a rejection and let off steam to Erika.

The response I got was…interesting. More or less, “Yeah, well, shit happens. Anyway, look at what I’ve written today!”

Hmm.

Upshot is, I noticed this happening more and more regularly. We were talking less and less about my writing plans, more and more about her writing success. She’d tell me about how much her early books with a minor epub were doing, how many hundreds of dollars she was making, how many thousands of copies she’d sold. Now, how much of this was true, I don’t know, but at first it made me feel encouraged. Hey, maybe I could make that sort of money too! Then discouraged, because I just couldn’t get a bite.

But back to that email from Loose Id. I read it again in the morning and realised it wasn’t a flat out rejection, but a R&R. Revise and resubmit. Make some adjustments, send it in again, that kind of thing. Great. Bear in mind by this point, Erika had sold books, both novels and novellas, to a number of different publishers, and I’d been looking for one where she wasn’t at, specifically so I could prove to myself I could sell my own book to my own publisher, without namedropping or using a friend’s connections.

And…Loose Id signed the book. Holy shit, I’d actually managed to sell a book to a well-respected epublisher, rather than a piddly, run-of-the-mill affair run out of someone’s spare room office. This was my chance to make it big!

Or at least, earn some proper cash.

The response I got from my “friend” was lukewarm. She just had no desire in discussing it. Brushed it off like it didn’t mean a thing.

And that kinda spoiled it for me.

Looking back, it seems obvious. As my writing began to take off, I had less and less time to devote to hers. But it was okay, right? She wrote fast — a hell of a lot faster than I ever did. So she’d always have more of a backlist than I, and I could still work on her synopses here and there. (Sure, now I see it. One of the reasons I didn’t finish that many books was because I was spending so much time on other people’s. I know. I’m dumb for taking this long to work it out.)

But that wasn’t good enough.

Things got proper wobbly when By the Book was published. I blew my advance royalties cheque, small though it was, on a new-to-me-but-secondhand sofa, and a DVD box set of Being Human. And Erika…by this time it was early 2011 and Erika had sold books to multiple publishers. Except Loose Id.

But…an acquaintance of hers got a job as an editor there, so suddenly Erika was all about cultivating this friendship, turning it into a more useful business relationship. I’m not saying she was mercenary but…okay, I am. That’s exactly what I’m saying. At the time, she said, “I’d been thinking about subbing to Loose Id for a while now anyway,” but when her editor friend promised to offer her a contract no matter what she sent in because “I’ll just tell my bosses it’s a fantastic book and they’ll let me sign you; we can work on beating it into shape later,” well, that was that.

“But Scarlett,” you might say, “didn’t you sub to the same publisher as Erika way back when?”

Yes, I did. At Erika’s suggestion, and back when we were at more or less, kinda, the same level of success. Ish. At the time of my sale to Loose Id, I had one published book at a single publisher. Erika had, goodness…looking back, must have been around 10 books at multiple publishers, and big ones. BIG publishers. Besides my start-out novel, I sold one book to Loose Id and, to be honest…it felt like she was pissing in my cornflakes, couldn’t bear for me to have any success of my own.

She waited for the day I received two rejections — two — to announce, “I’ve decided to take [Editor Friend] up on her offer. I’ve got [Book X] sitting on my hard drive doing nothing, but she said she’ll sign anything I throw her way.”

So I asked her words to the effect of, “Do you think it’s appropriate to say that when I’ve had two rejections in one day?”

And she simply said, “Everyone gets rejections; just fucking deal with it.”

It felt like she’d waited until I was feeling pretty damn awful to announce, “That thing you worked really hard for, and are really proud of? I can take it, easily. Not by working for it, but by using a connection. It doesn’t really mean anything to me, but I can’t let you have this moment to yourself.”

That was the point our friendship, such as it was, died. I can be supportive of and happy for a friend — hell, if I couldn’t, why would I have helped her sell books? But as soon as I met with success, I was no longer as readily available to bolster her career.

By some weird cosmic coincidence, Erika had a book published on exactly the same day By the Book came out and yes, I’ll admit, that soured the excitement a little. But Loose Id was Johnny Big Bollocks in the epub world then, so I told myself it’d all come good.

As a result of By the Book and one or two other things I sold, over the following months I was contacted by three separate epublishers, inviting me to submit there. Not, I hasten to add, because I knew anyone at Publishers X, Y and Z, but because they’d read By the Book and liked it. I didn’t have to pull any strings, but this book could potentially help me sell the next one. Things were looking up.

Until I saw a review for the Erika book that came out on the same day as By the Book. This book was something I’d titled and rewritten in part. I know, I know. Why? Because I was a fucking mug and didn’t want to lose a friendship and while it was being written things weren’t too bad between us, really. Ick. I know.

In this review, Erika was praised as a writer who always picked great titles, and words to the effect of “But this time she’s really knocked it out of the park. It’s a play on words whose true meaning becomes clear further on in the book, blah blah blah…”

Bear in mind this is a book I’d heavily contributed to, so I got in touch by email to say “Hey, it’s me. Look, I caught the review for [Book Title] and I’d really appreciate it if you credited me somewhere with the things mentioned in the review. It’s a great book, and I know you worked hard on it, but there are things specifically mentioned in the review that you know are my work.”

The reply I got shocked me. It was probably the first time I’d directly asked to be credited for my own work in a book published under her name, but it was time. I was no longer prepared to tolerate her sense of entitlement, the emails bragging about how much she was earning, the “Suck it up, buttercup,” when I got a rejection and the temper tantrums when she received one.

“No. I don’t have to do anything you say.”

Fuck me sideways and call me Charlie. I’d only asked to be credited for my own work. I wasn’t asking for money, just “Actually, Scarlett gave me the title.” That would have done. But no, nothing doing.

Apparently once I started selling my own books and asking to be credited for the work I did on hers, that coincided with her no longer desiring to associate with me.

Then pretty much the arse dropped out of my world. This is real life stuff, not related to writing, so I’ll just say it boils down to nearly being made homeless, and someone I know having a cancer scare which required surgery. Within the space of a few days I went from thinking things were bimbling along just fine, to “I’m going to be homeless, and [name] is going to die.” I saw no other solution than to off myself. I remember sitting on the settee writing suicide notes to people; that’s how bad it got. I took a bunch of pills and started to run a bath but before I could line up the razor blades and get in, I…

…I fell asleep. The stress, combined with a gutful of painkillers, served no other purpose than to knock me out. It sounds righteously comedic now, years later, but I couldn’t even kill myself properly. I woke up to a session of puking of which The Exorcist would be proud, a cold bath, and kidney problems. These latter are still with me today, to some degree, but not enough to worry me in my day-to-day life.

I had a deadline for a book I’d sold before I’d even written it and, unbeknownst to me, my editor contacted the Boss Lady and said, “Scarlett’s having a really bad time of it; can she have an extension?” Then she got in touch with me to say the Boss Lady had given me another month. In the end, I didn’t use all of it, but I appreciated the gesture. The book in question was the only thing I completed that year as I had a bunch of other stuff to deal with. Hospital appointments, dealing with lawyers and so on. I was mentally and emotionally exhausted and being creative wasn’t even an option. I dealt with my obligations and other than that, my writing ground to a halt.

I just don’t want to remember exactly how bad that year was. Things that had bothered me before didn’t seem important. When it comes to online matters, I am still aware of a lingering discomfort when it comes to one thing in particular. I was a member of a writing website, as was Erika. The number of people who got in touch with me behind the scenes to ask, “Is something wrong? I’ve noticed you and Erika aren’t interacting any more,” is embarrassing. The more observant of folks asked, “Is she deliberately ignoring you? When you post, she replies to everyone else in the thread, except you.” One fellow website member put it this way: “It’s like she’s making a conscious effort to pretend you don’t exist.”

Of course I privately told them the story. Some believed me, some did not. Most made sympathetic noises but I didn’t care much either way. I know what the truth is, and as I’ve said, my priorities shifted. Given that my meatspace life had turned upside down, that was my immediate concern. Sorting that out first.

Eventually I got there. It’s a process. There were some speedbumps along the way, not least noticing from my online activities that Erika had collected quite a number of co-writers who were named on the covers. Well, wasn’t that a kick in the teeth. They got a credit. Even the one whom she’d said privately was “Fat, ugly and talentless,” some time before. Why did I listen to such talk? Lordy, I don’t know. I heard it, and did nothing to stop it. But really, if someone speaks to you in that manner, they’ll speak about you in such a manner, too. Another person she chose to co-write with had been the subject of “I’ve never read her books and I doubt I ever will; they’re not really my thing.” Oh, but fast forward a year or two, and suddenly the author in question is good enough to collaborate with? Why? She sells, so she could be useful.

I, of course, had well and truly served my purpose. I’d stepped out of line by a) selling my own stuff and b) requesting credit for my work. I was no longer of use.

What did come in useful for Erika was cultivating a public persona very different from her private one. This is a woman with a remarkable talent for fiction when it comes to her online persona that she would do well to channel into the books she seems unable to write on her own. And even yet, it stings to see her publicly lauded when experience has given me a slightly-less-than-fangirly view. Double stings when people who know what she did are the ones doing the squeeing. I guess birds of a feather flock together. There are always going to be writers who will dole out praise if they suspect the situation can be twisted to their advantage.

That doesn’t change the fact the emperor has no clothes on.

As it happens, in around about 2013 I had occasion to get in touch with her one last time. It was purely business related, in connection with contractual matters at a publisher I’m no longer with. We exchanged a few emails, I asked about her latest project, wished her well, blah blah. And the reply I got was “Look, I’m really not interested in pursuing a friendship with you. Let’s just leave it there.”

I burned with embarrassment. Burned. I hadn’t been pursuing anything, and felt like I’d been caught making polite conversation with that guy. You know the one, that guy. He loves himself so much he can’t conceive of anyone not being half in love with him too, and every conversation appears to his ego, to be flirtation. My conversation with Erika was primarily about a contract with Publisher X from which I was trying to extricate myself, and thereafter, “I wonder if we can be civil to each other?”

I was summarily dismissed without even asking to be part of her life again. But then again, I served no purpose. Don’t let the door hit your arse on the way out.

My embarrassment was as hot as her ego is large.

Bronwyn Green recently asked me if I’d had trouble with my own work since these events, and I quote, “Like just having the will/interest/passion for doing it?…I’m hoping that’s not a common response.”

In truth yes, I have had a lot of trouble in even caring about the written word. I cannot blame that entirely on Erika as I did have other things going on in my life too. But the longer I went without writing, the harder it was to get back into it. I asked myself, why bother? I’d been let own before, worked really hard, got nowhere, and had my work appropriated, so is it really worth trying? I feel as if, right now, I’m starting from a lower position than I was in, in 2008. Then, remember, there was no choice between optimism and pessimism. No concept of “This could actually do me emotional harm.” It was just writing, right? Put words on paper. Create worlds. Make up shit. Profit.

Now I’m getting back into it aware of certain things that weren’t even on my radar way-back-when. But who knows? My writing may well be all the better for it.

Because of course it will be my writing, because I ride buses, not careers.

If I may, I’d like to end by quoting Jenny. (When in doubt, quote The Trout):

Grudges and unfairness do seem to have mass. Due to the events I talked about in those posts, my entire writing career has been tainted by that anger and hurt. And tonight, I get to let that go. And from here on out, I don’t have to think about any of that. I was walking around subconsciously trying to prove to myself that I was better than she had made me feel. […] a toxic person has unwillingly duped me into a mental competition. […] All of that past, all of those horrible things? They’re just the dirt I had to struggle up through, and those posts were the downpour that cleared the way.

Posted in blogging, Bronwyn Green, Jenny Trout, writing | 7 Comments