Och aye what the fuck?

This blog post is prompted by a few conversations I’ve had recently on Twitter about being a Scottish author edited by American publishing houses. (I use American to mean the US, but one of my publishers was Canadian so I guess we’ll call it America, and America’s hat.)

Unless otherwise stated, you can assume that the characters in my books are Scottish. I’m Scottish, I use Scottish slang, I like to see Scottish characters in books. And sorry, but very few non-Scottish authors get it “right”. They read like a usually-American person’s caricature of what a Scot would sound like. Groundskeeper Willie with a boner.

Which is ironic as when I finally got together with a US editor who gave me free reign when it came to dialect, idiom and slang, I was dinged in a review on Goodreads for “trying too hard to sound Scottish”.

You can’t fucking win.


I’m going to mention some things I was strongly advised to change, without naming the books or publishing houses involved (usually one that rhymes with Moose Lid closing this year, suck it, bitches) or giving exact quotations from the book. I’m confident most non-Jocks out there will get it.

That’s ‘Jocks’ as in ‘derogatory term for Scots’, not sporty Americans.


Was told to change this to ‘bangs’, even though no Scot would use this term. The sentence was as simple as “With one hand, I brushed my fringe off my forehead.”

I mean, what else could a fringe be, but the strands of shorter hair that usually hang down to your eyebrows?

(I don’t have one any more due to the fact my cowlick makes one side bounce right up which gives me a zigzag fringe.)

Taxi rank

Told to change this to ‘taxi stand’, even though again, this isn’t so common in Scotland. I spoke to a few non-Scottish British friends and apparently this is sometimes used in England, so maybe I could’ve let this one, er…stand…but I didn’t.

Salty popcorn is a thing

There was one scene I wrote with two guys who were flirting in a cinema and one made a reference to blowjobs by saying he liked the taste of something salty…while eating popcorn. And my editor at the time insisted salty popcorn wasn’t a thing in the States, which I’m told by a gazillion Americans on Twitter just isn’t true.

Added to which, my characters aren’t fucking American.


A male character was getting quite cocky and said “There’s nothing anodyne about me!” and my editor who I think was Canadian, insisted it was the wrong word to use. I just Googled the word and the first definition thrown up is “not likely to cause offence or disagreement or somewhat dull”. I informed my editor of the correct definition of the word and pointed out the character was claiming to be anything but boring, hence, ‘anodyne’.

When she realised what the word actually means, she told me to change it because “Our readers won’t know what it means.”

No, dear; you didn’t know what it meant until your author told you.

Last but by no means least…


Yes, I’ve been told by an editor of erotic romance to remove the word ‘Priapic’ from an erotic romance manuscript written by me, an erotic romance author because, again, that tired old excuse, “Our readers won’t know what it means.”

And let me tell you, when a US-based editor refers to ‘our readers’, they mean ‘people in the mainland US’ because the rest of the world doesn’t exist, right? Which makes me wonder…why contract a book written by a Scot about Scottish people, if you want everyone and everything to come off a USA conveyor belt?

And honestly, if you don’t think the word ‘Priapic’ belongs in an erotic romance, I can’t help you!

Posted in editing, erotic romance | Leave a comment

It’s all about the words

I started off the new year with what has become something of a tradition: in my pyjamas at home, drinking tea and eating biscuits, watching Bottom.

(If any of my readers aren’t familiar with Bottom, it’s an early-90s BBC comedy written by and starring Rik Mayall and Ade Edmondson. I’ve watched it so many times I can practically quote it backwards and it loses none of its edge twenty-five years down the line.)

So what’s coming up in 2018 for Scarlett Parrish?

Well, I haven’t written a word since the 15th of November, and I can’t say I’m absolutely longing to get back to it; nevertheless I’ve decided to at least try, to see if me and the written word can renew our friendship after this break.

One thing I’ve come to realise is the difference between what I can control and what I can’t. You might be thinking, it’s about time, Scarlett! But better late than never. I can desire selling a thousand books in a month, but can I actually control it? No. Even with promo – if only I could figure out what works! – all I can do is write my books, publish them, and let as many people as I can contact know that they’re out there. As much as it saddens me to admit, I can’t force people to buy my novels.

(Yes, before you ask, I’ve been reading a lot of books about desire and attachment lately.)

Can I go out there and get a contract with a particular epub? No. The part I control is writing a book, the best book I can. I can prepare the submission package then email it in. Of course it’s logical to conclude that the more I do this, the more likely it is I’ll eventually score that contract by coming into contact with someone who likes the cut of my jib, but when it comes to individual editors, I can’t make them sign me up. I can only try to improve my writing at every step and…just keep swimming.

All of which probably sounds terribly obvious to you, but the enthusiasm I had when I first started out rather clouded my vision of what was my business, and what was the business of other people. Or maybe I knew of what other people had control, but I told myself that my enthusiasm and sheer, God-given talent could blow away any objections they had.

That enthusiasm (or pig-headedness) has dissipated now, and I’ve adopted the philosophy of @cjlemire – “Control what you can, deal with the rest.” Previously, my energy was directionless. It should be focused but not “this target and no other, else I fail.” Saying “I want X and if it doesn’t turn out exactly this way it’s all a disaster,” is the way of the control freak, which I am, and…well, it hasn’t worked, has it?

At the risk of sounding a bit woo-woo, if I decide exactly what I want, and how it’s going to happen, I’m leaving the universe no room to surprise me. It’s that ‘desire and attachment’ again. If I think so much and so hard about what I want, I’m putting out that signal of want, want, want, which is just another way of saying don’t have, don’t have, don’t have. I’m just emphasising my own lack of whatever-it-is.

Binary choices mean black or white, success or failure and maybe there’s more than one path to the destination I’d like to see. Which is how I write my books. I pick the ending and make my way from page one to the end in a very loose, baggy, “Let’s see what happens along the way, as long as I hit certain signposts which act as signals I’m heading in the right direction,” kinda way.

Maybe I should be applying that to my writing career as a whole. But my energy, my drive, should no longer be spent on the wrong things, because that leaves me worn out and with nothing left to deal with what’s in my jurisdiction: the words. Simply, the words.

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What now?

The more observant among you – or anyone who’s got a few minutes to kill and reads my previous blog post – will correctly assume that I binned NaNoWriMo last month in a fit of despair, quite possibly along with the rest of my writing career.

It was a popular blog post by my meagre standards. Over the course of three days I had a few hundred blog hits, which is smol to anyone else, but viral compared to the attention my blog usually gets.

I started NaNoWriMo late, not writing a word until the 4th of the month, and never caught up. Added to that, I hadn’t started a new book, deciding instead to break the rules and merely continue with an already-started manuscript. I added roughly 14k words to Eat Me, bringing it up to its current total of 27,649 words. (Hey! That’s half the book!)

I stopped writing after Wednesday 15th November, even though, according to my spreadsheet, I only need another few thousand words to complete the manuscript. Easily doable in one day.

But as you can imagine, given the state I was in when I wrote my last blog post, finishing off a book in one day was a mountain I found too hard to climb. It’s not the number of words that’s daunting, but what happens after that…and, if my backlist is anything to go by, ‘what happens after publication’ is damn close to nothing.

Which sounds an awful lot like self-pity. Sorry. I didn’t mean to appear quite so down on myself. Just saying that my writing isn’t as profitable as I’d like it to be. Oh well.

So what now? Do I abandon a manuscript so close to the end when my original intention was for this to be the first in a companion series of novellas, with secondary characters from each tale stepping forward and getting their own story in a subsequent publication? Switch genres? Stop writing altogether? Eat my own bodyweight in buttercream sponge? (Yes.)

Having consulted with a few friends – and by that I mean, sending out whining what do I do now DMs and emails – I’m leaning towards the ‘switch genres’ option. There’s a book I’ve wanted to write for quite some time now, nothing like erotic romance, not even for this pseudonym, more than likely an ‘agent bait’ novel. I’ve been putting it off and putting it off because in the back of my mind, I’ve never felt ready for it. What if the book I have in my head, isn’t what comes out onto my Chromebook screen? Well, books never work out that way, do they? They’re always different, between brain and fingertips.

There’s something else. Erotic romance has fallen flat for me, and the truth is, I’m scared of failing at something else. Erom was a genre I almost fell into. I never planned to be an erotic romance author. I basically did it on a dare. I hesitate to say it never mattered to me, but…it was never the genre of my heart. And if I write ‘the book of my heart’…won’t it hurt a hell of a lot more if and when that goes belly-up?

But, that’ll be completely separate from my Scarlett Parrish stuff anyway, so I won’t go into it here.

It’s probably that when my writing mood picks up, I’ll finish Eat Me; it makes no sense to permanently dump a book when the spreadsheet I’ve been using tells me I have 3k words, maximum, to go. But I’m not going to set myself any targets or deadlines on that. When the fact it’s unfinished gets sufficiently irritating, then I’ll finish it.

Basically, I’ll write erotic romance as I bloody well please, and if I don’t please, well…it’s not as if I’ve got rabid fans knocking my door down looking for another Scarlett Parrish book, is it?

It may well be the case that working on the ‘passion project’ lifts my spirits enough to make writing smut a pleasant way to pass the time on the side. “A rising tide lifts all boats,” as the saying goes. We’ll see. But erotic romance is not profitable enough (I mean emotionally as well as financially) to be my priority right now. It took up a lot of my headspace for very little return, which is not good for one’s self-esteem and productivity.

So basically what I’m saying is, no deadlines, no contracts, no pressure. No point breaking my back to produce manuscripts that don’t exactly set the publishing world on fire and beating myself up mentally when they fail to do as well as I’d like. My erotic romance books are what they are, occupying their own quiet corner of the internet and I’ll add to them as and when I’m moved to. If their worth is not in their popularity, it may as well be in a positive answer to the questions, “Do I like them?” and “Was I happy when I wrote them?”

Posted in Eat Me, writing | 2 Comments

Between the Lines

I’ve thought long and hard about this blog post, whether I should or shouldn’t write it. It’s one of those posts that you should only write when you’re past the point of caring, and that’s pretty much where I am with my writing career right now.

You may note a lot has gone missing from my blog again. All previous posts except for The Story because…well, it’s the truth. It happened. To delete it would feel like I was backing down, and I stand by my accusations. Plenty of people have asked who “Erika” is, and I’ve told them behind the scenes.

My non-self-published buy links above, they’re all gone, too. I can’t do anything about completely deleting my books with a publishing house until they’re out of contract, and that’s a decision I don’t have to make yet. They still exist, I’ve just removed them from my ‘books by’ list. Why not delete my self-published books from existence, as I have control of them? Hmm. A huge step, and I’m still swithering, to use a Scottishism.

did have shit written under another pen name (pure erotica, not romance) which I have deleted in its entirety from the internet. That other pen name’s stories are all gone, its newsletter has been deleted, even their email account has been deleted. Kaput. My other self has committed internet suicide.

Why this need to minimise my online presence? The same old, same old, which I’ve been fighting against mentally for years now. Every so often I’ll give myself a good talking-to, determine that I’m going to get back in the game, get fired up, write write write, and…and I fail miserably.

What’s my definition of failure? What do I want out of writing? Well, ideally, I’d like to be able to be self-supporting through writing and before anyone says, “Now, Scarlett, don’t you think you’re being a bit entitled?” bear in mind, I live in a relatively inexpensive city, and due to the fact I am childfree with no debt, car finance, mortgage, loans or credit cards, I could live quite comfortably on approximately £200 per week.

Yes, I am prepared to talk money in this blog post. Approximations of what I’d like to earn, and the exact figures of what I actually do.

Given how long it takes to write, edit and format a novel, I don’t think around £200 a week is too much to ask. The minimum wage in this country is £7:20 per hour, so that weekly payout would equate to just under twenty-eight hours’ work. Am I willing to put in twenty-eight hours of work every single week, no holidays, to support myself? Yep. Does the payoff in erotic romance epublishing justify that? Nope.

(And if anyone out there fancies knocking me for “entitlement”, don’t bother. I don’t think wanting to work to keep a roof over my head and food on the table is “entitlement”; I think it’s desiring a fair exchange of sustenance for my labour.)

Let’s look at it the other way around. Instead of saying, “If I put in X amount of hours a week, I don’t think X number of pounds in return is unreasonable,” let’s ask, “How much money have you earned for the number of words written and hours spent doing so, Scarlett?”

Well, I was first published in May 2010 and I’m not going back seven and a half years and across four different publishers. I simply do not have the inclination to go raking through that many royalties statements and converting each one into the same currency. So for convenience’s sake, we’ll look at the figures for my self-published books, which are all available in one place:

Screenshot 2017-11-28 at 18.50.56

Last night I converted each figure in the ‘Total Royalty’ column into both US dollars and GB pounds to give totals in each currency, which means since November 2014, I have earned, from books totalling around 350,000 words…

$640.65, or in pounds, £480:68.

In three years.

If we take a standard typing speed of 1k words per hour, not counting editing and formatting as well, we’re talking just shy of five hundred pounds, across three years, for 350 hours’ work. (Twelve and a half weeks’ worth, if we go back to that standard working week of twenty-eight hours. Imagine working for twelve and a half weeks and having to wait three years before you’re paid, and even then only receiving £480 or $640.)

Okay, I’m maybe stretching my hypothetical working week example there, but you can imagine how disheartening that is. Especially when you take into consideration the fact that I’ve spent more than that on computers, tech, software, pens and paper. I’m effectively in the red when it comes to writing fiction. Instead of being paid for my work, I’m paying out.

Now, if it’s a hobby, something folk do for fun, that’s fair enough, but it was always my intention that writing should pay its own way, otherwise, I’d be out of pocket and would be as well finding something more useful to do with my time. I’ve got bills to pay, after all, and I have on numerous occasions, taken jobs outside the home to get those bills paid. Every hour I spend writing for free, is basically an hour’s wage lost.

But, to actually see those figures written down, in my own handwriting, actually had me questioning what I’m doing with my life and whether or not I should even be writing at all.

The other night, a friend of mine who is a superbly talented writer informed me she had just deleted all of her books from Amazon Kindle. Why? Pretty much the same reasons I’ve discussed above. Discouragement. No return on investment.

Also a growing sense that Kindle Unlimited (the monthly subscription reading service) was fucking over authors.

And I can’t say I disagree with her.

So why are my self-published books in that scheme? I wanted to see how they’d do, whether my money would come from sales or page reads. Today, though, I terminated the automatic renewal for my books, so starting next month, my books will start to drop out of Kindle Unlimited and only be available for sale, not borrowing. (That’s if I don’t decide to delete them completely.)

When Kindle Unlimited first started out, there was a flat ‘fee’ Amazon paid authors, each time one of their books was borrowed. It varied, but usually hovered around the dollar forty mark. Each time a Kindle Unlimited subscriber borrowed one of your books, you’d get around a dollar and forty cents. Approximately 85p in ‘real’ money. 😉

The trouble was, people got wise to the fact that you were paid the same flat rate whether your book was a novel, a novella, a short story, or barely a few pages long. People started to  release serialised fiction, novels chopped up into individual chapters. Why get a buck forty for a novel borrowed as a whole, when you could release each section as a separate book and get a dollar forty for each chapter as it was borrowed, right?

That’s why, a few years ago, Amazon Kindle was flooded with serialised fiction, each chapter cutting off abruptly. That’s because they were novels, literally hacked to pieces by their authors, and published chapter by chapter, instead of all in the one volume.

Amazon eventually got wise to this and said it wasn’t fair that short story writers were paid the same as novelists. They wanted to discourage people from publishing sliced-up novels and calling them serials or series.

I find it difficult to argue with this reasoning.

Trouble is, the way Amazon dealt with it screwed us all over. Instead of being paid by the borrow, authors would now be paid per page read. Approximately half a cent per page.

A 300-page novel would now earn an author a dollar and a half – but only if the whole book was read. And if you wrote a short story of, say, 50 pages, you’d only earn 25c.

Yep, you read that right. Twenty-five cents.

Kindle books started going the other way. Instead of slicing up novels like they were rationed pieces of cake, authors (and groups of authors) started page-stuffing. They’d display the blurb for their book, and advertise it as being “now with some added material” – other stories they’d written which may previously have been released on their own. Some ebooks now are well over 1,000 pages long.

“But how can that be gaming the system, Scarlett?” you may well ask. Little tricks, like putting the table of contents at the back of the book so that when a reader clicks on the ToC link, they’re taken to the end of the book and their Kindle registers as having just read well over a thousand pages, instantly. Boom. The author gets paid for a thousand pages read, even though you haven’t read a thing. Like flipping to the last page of a book in Waterstones to ensure the author gets paid the cover price, even if you haven’t even looked inside the book yet.

What else? Well, I used to be a member of a writers’ forum which I soon discovered was basically an internet circle jerk. Writers would post to say they had just released a book, could everyone go download it, flip to the end, then return the book, to bump up their apparent pages read, thank you and goodnight.

Writers would group together for anthologies, churning out what was effectively porn, even their own old stories with some names changed, or genders flipped, just to get those page reads. Several members got their KDP accounts suspended for not playing by Amazon’s rules.

Let me tell you this – many authors out there? They’re not authors. They’re groups of authors, who take it in turns to write quick short stories, page-stuffing with recycled, old manuscripts with the ToC at the back, and extracts from their own individual books to pad the page count.

If I protested, dared to say that it didn’t seem like anyone was bothered about improving their writing any more, a popular saying was “Look to your own paper.” In short, learn to game the system, mind your own business, or shut up.

So I left the website, disillusioned.

Let people do what they want to do, right? In theory, you’d say that, but Amazon got wise to what was happening and started restricting what authors could publish, the keywords they could use, even how much they were paid.

Yes, really. They started to suspect there were a lot of scams going on in the self-publishing world, so to “punish” authors, almost, Amazon started dropping the rate of pay per page-read. Blocked more folk from publishing on their site at all. Some were blocked justifiably, but many authors I’ve spoken to have been dinged by Amazon simply by mistake. Genuine authors who are only trying to make a living have fallen through the net. To mix my metaphors, sometimes Amazon throws the baby out with the bathwater. They’re so keen to get rid of the scam artists that genuine authors with good intentions get punished for the sins of the scammers.

Of course, that’s not the sole reason I’m disillusioned with publishing, lately. It doesn’t help, but it’s not the only reason. There are writers out there who make a living, and deservedly so, but the more writers who self-publish, the harder it is to promo, to gain any traction, because it seems like it’s becoming more and more difficult to be heard. Rightly or wrongly, people often judge erotic romance as being formulaic and when there are people (mentioned above) trying to game the system, it’s difficult to know what one has to do to stand out. Writing a book that’s as good as you can make it? But of course. You also, however, have to get it noticed.

Maybe my books are just shite, huh? 😉 I hope not. I think my writing’s good. Well, I would say that, wouldn’t I? But when it comes to promo, honestly? I feel like I’m banging my head against a brick wall. In the past I’ve tried blog tours, social media, interviews, asking for reviews, and I get nowhere.

There are authors I’ve spoken to privately, who have said they’re in much the same situation financially, and while I won’t name names to protect their privacy, it’s actually shocking to me, how many talented, fresh, original authors feel like they’re at the point of jacking it all in. I was nervous of posting the screenshot above, but probably not as nervous as one writer was when she confessed to me that in the same time period, she’d made approximately one third of my earnings.

No-one is owed a set amount of money, of course not. I’m not saying that at all. What I am saying is, that it might not be cost-effective to spend weeks, even months, writing a novel, and to receive only a few dollars for that novel. If you look upon it as a hobby, a way of expressing oneself creatively, that’s great. But if your time could be better spent elsewhere if your main concern is making a living, then…for me, anyway, erotic romance just isn’t worth it. Would you spend hours each week working in an office if you knew your boss could turn around and say, “I only feel like giving you ten quid this month,” ?

When I started out writing (seriously, I mean, really knuckling down with the aim of getting published) I had both hope, and a sense of fun. These days, I’ve seen behind the curtain, the mechanics of how it works and…well, I’m wondering if it’s really for me.

And you never know. It might actually be a relief to find something else to do with my time. Because sometimes you can work really, really hard towards a goal, and realise you were playing the wrong game all along.

Posted in erotic romance, self-publishing, writing | 4 Comments

The Story


Yes, I’ve decided to resurrect this blog. Why now? Well…I’m beginning to get the itch again. Don’t worry, it’s not scabies. I mean the itch to write. And I figured splurging my brainthinks onto WordPress would be a good way of flexing my typing muscles, trying to get back in the habit of writing regularly.

Jenny Trout posted a thing on her blog that resonated with me. Well, five things, actually. Blog posts she has since deleted, for her own reasons, explanation here. I know who she’s referring to, and I’ve known for months, possibly longer than a year, because we discussed the matter privately way back when, at a point we discovered we’d both had similar experiences. In fact it’s scary how many writers have their own personal “Erika”, which has become a pseudonym for, well…”someone who screws you over”.

Bronwyn Green, the friend Jen was defending, blogged about things too [edited to add: but I’ve deleted the link because apparently now it’s broken/deleted].

Today I exchanged a couple of messages with Bronwyn and she very kindly said if I ever needed to vent, she was there for me, and it made me feel quite squidgy and warm inside, like my heart had wet itself. It just goes to show that not everyone out there is a festering shitweasel. But when you cross paths with someone who is, it damages your ability to trust, or to build up friendships. I hesitate to use the word ‘damage’ as it’s very strong, but strong feelings are involved here.

The truth is, I don’t have Jen’s stones. Admittedly, she deleted her posts in the end, but she named the person who screwed her and her friends over. My concern has always been, “Ah, who’s going to believe me anyway?” By calling out a far-more-well-known author, there’s a chance of looking jealous. By saying “Actually, this, this and this happened,” after they worked so hard to cultivate a nice, pleasant, gee-golly-humblebrag reputation online, you look…well, damn, you look bitter.

That golly-gee-whizz act is an act though, and about the only thing she’s ever worked hard for or to protect, but anyway…

When I first started out it wasn’t a choice between success or failure; it was all just fun. And I had a friend, an “Erika”, who was at the same stage. Writing for years, never got anywhere, thinking it was about time we both knuckled down and made it happen, now or never, you know the score.

I did NaNoWriMo in…let’s see, 2008. I remember because it was the same year I’d finished an old job I had, and I had a lot more time on my hands. A lot less money in my pocket too, but hey, maybe writing would fix that? (Wrong. But I didn’t know it then.) I was accompanied on my journey by Erika, to whom I would speak near-constantly on MSN. Yes, MSN was still a thing back then. We’d encourage each other, share our work, have word sprints and the like. And we both fell into the same genre of erotic romance. I’ll be honest. I knew very little about the genre when I started writing it. In those days I didn’t outline. Hell, I barely knew what I was doing. I wrote 50k words that November, 25k in December, nothing in January, 10k in February and in March, I wondered if the manuscript would ever fucking end. Halfway through April I finished it and the first draft clocked in at approximately 150k words. No, not kidding. By this point, Erika had finished a couple of books and I’d fiddled with the synopses for them, suggested titles and the like. Bear in mind I’m not claiming to have told her what to write in the sense of “No, no, this is wrong. Write it like this.” It was more like, “You could do this,” or “I think you could solve that plot knot by doing X, Y or Z.” It was friends chatting and discussing what they’re working on. And talking about Erika’s books gave me a break from my own, which went on and on…and on…and on…

So, in April 2009 I was pig sick of my manuscript and was glad to have finished it. The rest of that year I spent…”helping” doesn’t seem the correct word. Hell, now I want to call it “carrying”. We’ll say…”contributing”. I’d write my own stuff here and there, but I was having fun flexing my synopsis-writing muscles doing that for someone else. When met with effusive thanks and praise, I admit, I fell for it. “Wow, I never would have thought of putting it that way!” or “I don’t know what I’d do without you,” sounds cheesy as fuck now, but back then, it was still what I thought was a genuine friendship.

Trouble is, if you keep giving someone a leg up, you end up getting trampled on.

Nevertheless, I wrote several synopses for another person who, at the time, expressed gratitude for them in our private conversations and, if nothing else, this enabled me to hone my skills in writing synopses and blurbs for my own books when the time came. I can point to several titles still for sale now to which I contributed, whether it be with titles, character names, scene suggestions, synopses, you name it. Christ, even pen names!

But, that’s the kind of thing you do for a mate, right?

Except…it began to get a tad…one-sided.

Erika sold books (or she sold books I’d helped her sell, whichever way you want to look at it) and her career was doing a lot better than mine. I had a first draft sitting on my hard drive, then two, wasn’t editing and submitting anything, and wasn’t sure what to do next. So I began to think about tidying up the book that became my first published novel. Erika was, by this time, published with a few relatively minor presses, and had further books contracted and scheduled to be published very soon. She suggested I sub to one of her publishers, so I did, and the novel was accepted. Cue serious excitement from me, congratulations from her, and all was well.


Erika was subbing to bigger and bigger epubs, getting recognition, suggestions to re-submit later, but couldn’t quite get a bite. There was one book she’d worked on that she liked, but there was something not quite right with it. So I had a suggestion, asked if she minded if I did something with the first chapter. She said no, go ahead, I asked her to give me an hour or two and I’d get back to her.

I remember printing it out and slicing it up with a pair of scissors. The timeline was…well, wrong. Instead of having a linear progression of events, it was better (I thought, and so did the publisher as it happens) to go BOOM! BIG EVENT! — backtrack, lead up to the boom — carry on from there.

I jigged about the word.doc on my laptop, smoothed over the edges, rewrote the joins, and sent it back to Erika. She loved it, said it worked much better this way, don’t know what I’d do without you, sub the manuscript, sold it, job done. (With a Scarlett Parrish synopsis, just so you know.)

Now this was with a pretty damn big epublisher, so I thought, if I can sell a book to a big epub for someone else, maybe I can for myself, too? So I knuckled down, started writing new stuff of my own. Got nowhere. For some reason, I just couldn’t make that break with my own books, but found it piss easy to sell books for other people. (Erika wasn’t the only one I wrote synopses for; another writer used a synopsis I wrote for her to snag an agent.) Maybe my fiction writing was just shite?

Then I got a R&R from Loose Id for what was then called The Devil You Know, but eventually became By the Book (now self-published here). The evening I got the email I’d been out, had a bad day, half-read the email, took it as a rejection and let off steam to Erika.

The response I got was…interesting. More or less, “Yeah, well, shit happens. Anyway, look at what I’ve written today!”


Upshot is, I noticed this happening more and more regularly. We were talking less and less about my writing plans, more and more about her writing success. She’d tell me about how much her early books with a minor epub were doing, how many hundreds of dollars she was making, how many thousands of copies she’d sold. Now, how much of this was true, I don’t know, but at first it made me feel encouraged. Hey, maybe I could make that sort of money too! Then discouraged, because I just couldn’t get a bite.

But back to that email from Loose Id. I read it again in the morning and realised it wasn’t a flat out rejection, but a R&R. Revise and resubmit. Make some adjustments, send it in again, that kind of thing. Great. Bear in mind by this point, Erika had sold books, both novels and novellas, to a number of different publishers, and I’d been looking for one where she wasn’t at, specifically so I could prove to myself I could sell my own book to my own publisher, without namedropping or using a friend’s connections.

And…Loose Id signed the book. Holy shit, I’d actually managed to sell a book to a well-respected epublisher, rather than a piddly, run-of-the-mill affair run out of someone’s spare room office. This was my chance to make it big!

Or at least, earn some proper cash.

The response I got from my “friend” was lukewarm. She just had no desire in discussing it. Brushed it off like it didn’t mean a thing.

And that kinda spoiled it for me.

Looking back, it seems obvious. As my writing began to take off, I had less and less time to devote to hers. But it was okay, right? She wrote fast — a hell of a lot faster than I ever did. So she’d always have more of a backlist than I, and I could still work on her synopses here and there. (Sure, now I see it. One of the reasons I didn’t finish that many books was because I was spending so much time on other people’s. I know. I’m dumb for taking this long to work it out.)

But that wasn’t good enough.

Things got proper wobbly when By the Book was published. I blew my advance royalties cheque, small though it was, on a new-to-me-but-secondhand sofa, and a DVD box set of Being Human. And Erika…by this time it was early 2011 and Erika had sold books to multiple publishers. Except Loose Id.

But…an acquaintance of hers got a job as an editor there, so suddenly Erika was all about cultivating this friendship, turning it into a more useful business relationship. I’m not saying she was mercenary but…okay, I am. That’s exactly what I’m saying. At the time, she said, “I’d been thinking about subbing to Loose Id for a while now anyway,” but when her editor friend promised to offer her a contract no matter what she sent in because “I’ll just tell my bosses it’s a fantastic book and they’ll let me sign you; we can work on beating it into shape later,” well, that was that.

“But Scarlett,” you might say, “didn’t you sub to the same publisher as Erika way back when?”

Yes, I did. At Erika’s suggestion, and back when we were at more or less, kinda, the same level of success. Ish. At the time of my sale to Loose Id, I had one published book at a single publisher. Erika had, goodness…looking back, must have been around 10 books at multiple publishers, and big ones. BIG publishers. Besides my start-out novel, I sold one book to Loose Id and, to be honest…it felt like she was pissing in my cornflakes, couldn’t bear for me to have any success of my own.

She waited for the day I received two rejections — two — to announce, “I’ve decided to take [Editor Friend] up on her offer. I’ve got [Book X] sitting on my hard drive doing nothing, but she said she’ll sign anything I throw her way.”

So I asked her words to the effect of, “Do you think it’s appropriate to say that when I’ve had two rejections in one day?”

And she simply said, “Everyone gets rejections; just fucking deal with it.”

It felt like she’d waited until I was feeling pretty damn awful to announce, “That thing you worked really hard for, and are really proud of? I can take it, easily. Not by working for it, but by using a connection. It doesn’t really mean anything to me, but I can’t let you have this moment to yourself.”

That was the point our friendship, such as it was, died. I can be supportive of and happy for a friend — hell, if I couldn’t, why would I have helped her sell books? But as soon as I met with success, I was no longer as readily available to bolster her career.

By some weird cosmic coincidence, Erika had a book published on exactly the same day By the Book came out and yes, I’ll admit, that soured the excitement a little. But Loose Id was Johnny Big Bollocks in the epub world then, so I told myself it’d all come good.

As a result of By the Book and one or two other things I sold, over the following months I was contacted by three separate epublishers, inviting me to submit there. Not, I hasten to add, because I knew anyone at Publishers X, Y and Z, but because they’d read By the Book and liked it. I didn’t have to pull any strings, but this book could potentially help me sell the next one. Things were looking up.

Until I saw a review for the Erika book that came out on the same day as By the Book. This book was something I’d titled and rewritten in part. I know, I know. Why? Because I was a fucking mug and didn’t want to lose a friendship and while it was being written things weren’t too bad between us, really. Ick. I know.

In this review, Erika was praised as a writer who always picked great titles, and words to the effect of “But this time she’s really knocked it out of the park. It’s a play on words whose true meaning becomes clear further on in the book, blah blah blah…”

Bear in mind this is a book I’d heavily contributed to, so I got in touch by email to say “Hey, it’s me. Look, I caught the review for [Book Title] and I’d really appreciate it if you credited me somewhere with the things mentioned in the review. It’s a great book, and I know you worked hard on it, but there are things specifically mentioned in the review that you know are my work.”

The reply I got shocked me. It was probably the first time I’d directly asked to be credited for my own work in a book published under her name, but it was time. I was no longer prepared to tolerate her sense of entitlement, the emails bragging about how much she was earning, the “Suck it up, buttercup,” when I got a rejection and the temper tantrums when she received one.

“No. I don’t have to do anything you say.”

Fuck me sideways and call me Charlie. I’d only asked to be credited for my own work. I wasn’t asking for money, just “Actually, Scarlett gave me the title.” That would have done. But no, nothing doing.

Apparently once I started selling my own books and asking to be credited for the work I did on hers, that coincided with her no longer desiring to associate with me.

Then pretty much the arse dropped out of my world. This is real life stuff, not related to writing, so I’ll just say it boils down to nearly being made homeless, and someone I know having a cancer scare which required surgery. Within the space of a few days I went from thinking things were bimbling along just fine, to “I’m going to be homeless, and [name] is going to die.” I saw no other solution than to off myself. I remember sitting on the settee writing suicide notes to people; that’s how bad it got. I took a bunch of pills and started to run a bath but before I could line up the razor blades and get in, I…

…I fell asleep. The stress, combined with a gutful of painkillers, served no other purpose than to knock me out. It sounds righteously comedic now, years later, but I couldn’t even kill myself properly. I woke up to a session of puking of which The Exorcist would be proud, a cold bath, and kidney problems. These latter are still with me today, to some degree, but not enough to worry me in my day-to-day life.

I had a deadline for a book I’d sold before I’d even written it and, unbeknownst to me, my editor contacted the Boss Lady and said, “Scarlett’s having a really bad time of it; can she have an extension?” Then she got in touch with me to say the Boss Lady had given me another month. In the end, I didn’t use all of it, but I appreciated the gesture. The book in question was the only thing I completed that year as I had a bunch of other stuff to deal with. Hospital appointments, dealing with lawyers and so on. I was mentally and emotionally exhausted and being creative wasn’t even an option. I dealt with my obligations and other than that, my writing ground to a halt.

I just don’t want to remember exactly how bad that year was. Things that had bothered me before didn’t seem important. When it comes to online matters, I am still aware of a lingering discomfort when it comes to one thing in particular. I was a member of a writing website, as was Erika. The number of people who got in touch with me behind the scenes to ask, “Is something wrong? I’ve noticed you and Erika aren’t interacting any more,” is embarrassing. The more observant of folks asked, “Is she deliberately ignoring you? When you post, she replies to everyone else in the thread, except you.” One fellow website member put it this way: “It’s like she’s making a conscious effort to pretend you don’t exist.”

Of course I privately told them the story. Some believed me, some did not. Most made sympathetic noises but I didn’t care much either way. I know what the truth is, and as I’ve said, my priorities shifted. Given that my meatspace life had turned upside down, that was my immediate concern. Sorting that out first.

Eventually I got there. It’s a process. There were some speedbumps along the way, not least noticing from my online activities that Erika had collected quite a number of co-writers who were named on the covers. Well, wasn’t that a kick in the teeth. They got a credit. Even the one whom she’d said privately was “Fat, ugly and talentless,” some time before. Why did I listen to such talk? Lordy, I don’t know. I heard it, and did nothing to stop it. But really, if someone speaks to you in that manner, they’ll speak about you in such a manner, too. Another person she chose to co-write with had been the subject of “I’ve never read her books and I doubt I ever will; they’re not really my thing.” Oh, but fast forward a year or two, and suddenly the author in question is good enough to collaborate with? Why? She sells, so she could be useful.

I, of course, had well and truly served my purpose. I’d stepped out of line by a) selling my own stuff and b) requesting credit for my work. I was no longer of use.

What did come in useful for Erika was cultivating a public persona very different from her private one. This is a woman with a remarkable talent for fiction when it comes to her online persona that she would do well to channel into the books she seems unable to write on her own. And even yet, it stings to see her publicly lauded when experience has given me a slightly-less-than-fangirly view. Double stings when people who know what she did are the ones doing the squeeing. I guess birds of a feather flock together. There are always going to be writers who will dole out praise if they suspect the situation can be twisted to their advantage.

That doesn’t change the fact the emperor has no clothes on.

As it happens, in around about 2013 I had occasion to get in touch with her one last time. It was purely business related, in connection with contractual matters at a publisher I’m no longer with. We exchanged a few emails, I asked about her latest project, wished her well, blah blah. And the reply I got was “Look, I’m really not interested in pursuing a friendship with you. Let’s just leave it there.”

I burned with embarrassment. Burned. I hadn’t been pursuing anything, and felt like I’d been caught making polite conversation with that guy. You know the one, that guy. He loves himself so much he can’t conceive of anyone not being half in love with him too, and every conversation appears to his ego, to be flirtation. My conversation with Erika was primarily about a contract with Publisher X from which I was trying to extricate myself, and thereafter, “I wonder if we can be civil to each other?”

I was summarily dismissed without even asking to be part of her life again. But then again, I served no purpose. Don’t let the door hit your arse on the way out.

My embarrassment was as hot as her ego is large.

Bronwyn Green recently asked me if I’d had trouble with my own work since these events, and I quote, “Like just having the will/interest/passion for doing it?…I’m hoping that’s not a common response.”

In truth yes, I have had a lot of trouble in even caring about the written word. I cannot blame that entirely on Erika as I did have other things going on in my life too. But the longer I went without writing, the harder it was to get back into it. I asked myself, why bother? I’d been let own before, worked really hard, got nowhere, and had my work appropriated, so is it really worth trying? I feel as if, right now, I’m starting from a lower position than I was in, in 2008. Then, remember, there was no choice between optimism and pessimism. No concept of “This could actually do me emotional harm.” It was just writing, right? Put words on paper. Create worlds. Make up shit. Profit.

Now I’m getting back into it aware of certain things that weren’t even on my radar way-back-when. But who knows? My writing may well be all the better for it.

Because of course it will be my writing, because I ride buses, not careers.

If I may, I’d like to end by quoting Jenny. (When in doubt, quote The Trout):

Grudges and unfairness do seem to have mass. Due to the events I talked about in those posts, my entire writing career has been tainted by that anger and hurt. And tonight, I get to let that go. And from here on out, I don’t have to think about any of that. I was walking around subconsciously trying to prove to myself that I was better than she had made me feel. […] a toxic person has unwillingly duped me into a mental competition. […] All of that past, all of those horrible things? They’re just the dirt I had to struggle up through, and those posts were the downpour that cleared the way.

Posted in blogging, Bronwyn Green, Jenny Trout, writing | 7 Comments